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| Portrait of the Young Man as Landscape Dronologist, Scotland '95 |
In September 1995, at Kindling House in Coorparoo, Brisbane, I recorded three of the four tracks on my debut release, the Terminal Moraine cassette.
The recordings were made on my Sony Walkman, using a Casio MT 40, shortwave radio and feedback via a toy keyboard with microphone. I didn't own an amp, so built-in speakers were the order of the day. I was in effect a practitioner of quiet noise.
The second track on the cassette was made the following year with a baby monitor and Yamaha CS01 synthesiser. Following his repeat yet polite petitioning, I recently returned the synth to its owner (Tom Beaumont), nearly 20 years post-loan.
I used to think of these pieces as 'landscape drones' - the sound of plates tectonic and glacial drift, albeit recorded in sub-tropical suburbia.
The second track on the cassette was made the following year with a baby monitor and Yamaha CS01 synthesiser. Following his repeat yet polite petitioning, I recently returned the synth to its owner (Tom Beaumont), nearly 20 years post-loan.
I used to think of these pieces as 'landscape drones' - the sound of plates tectonic and glacial drift, albeit recorded in sub-tropical suburbia.
The cassette was timidly 'released' to select friends in a micro-edition of 16, each with painted cover art. It was only a small 20 minute sample of the hours of recordings made during that period.
In a sentimental moment, I recently digitised the work from the master tape to make this 20th anniversary edition available for download. It's a noisy and wobbly old thing!
In a sentimental moment, I recently digitised the work from the master tape to make this 20th anniversary edition available for download. It's a noisy and wobbly old thing!
LC September 2015.
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| Kindling House, Coorparoo, 1995 |
the vocals need to come up more.
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