Thursday, 14 July 2016
Monday, 20 June 2016
Green Coronet
I have a new tape available via the A Guide to Saints imprint. Here's what the label has to say about it:
"Leighton Craig is a Brisbane based musician. Over the past two decades he has played a central role in the Brisbane outsider music community. Performing in a clutch of key units, including free-rock mainstays The Lost Domain, pop miniaturists The Deadnotes and the dream-float duo Primitive Motion. Each of these groups bares the mark of his innate melodic sensibility and his uniquely understated aesthetic approaches.
As a soloist, he has pursued a low-tech approach to keyboard studies, song forms, field recording and sound installation.
"Green Coronet" is the long overdue follow-up to his solo Room 40 album "11 Easy Pieces". Largely a live recording, GC finds Craig enjoying the freedom of a new home studio space, pushing record as neighbourhood sounds flood into the room in this dreamy suite of four cyclic jams that celebrate the fuzzy tones of his favoured Coronet Phase 2 amplifier.
From the opening track "Green Veil", where shimmering circles of keyboard and voice weave into passing traffic and holiday field recordings, GC has an immersive time-flow. When the door closes on the sound world outside, "Solar Causeways" and "Divided by Zero" map a melancholic journey within, culminating in wailing synth blasts into the void.
With its warm keyboard and clarinet cycles, looped aquatic choral refrains and mics dangling out the studio window, GC unfolds as an unlikely sub-tropical Harold Budd homage - with a lo-fi suburban edge and noise outro!"
The tape was toasted up by Lawrence English at 158 and as with all AGTS releases, comes in an edition of 100 with screen printed covers. The Green Coronet edition is completed with a set of two tiny 5 x 7cm
prints of floating beings on 300gsm watercolour
paper, housed in archival glassine envelopes. When you buy from this website, the first 30 copies come with an additional third print.
LEIGHTON CRAIG - GREEN CORONET cs
"Leighton Craig is a Brisbane based musician. Over the past two decades he has played a central role in the Brisbane outsider music community. Performing in a clutch of key units, including free-rock mainstays The Lost Domain, pop miniaturists The Deadnotes and the dream-float duo Primitive Motion. Each of these groups bares the mark of his innate melodic sensibility and his uniquely understated aesthetic approaches.
As a soloist, he has pursued a low-tech approach to keyboard studies, song forms, field recording and sound installation.
"Green Coronet" is the long overdue follow-up to his solo Room 40 album "11 Easy Pieces". Largely a live recording, GC finds Craig enjoying the freedom of a new home studio space, pushing record as neighbourhood sounds flood into the room in this dreamy suite of four cyclic jams that celebrate the fuzzy tones of his favoured Coronet Phase 2 amplifier.
From the opening track "Green Veil", where shimmering circles of keyboard and voice weave into passing traffic and holiday field recordings, GC has an immersive time-flow. When the door closes on the sound world outside, "Solar Causeways" and "Divided by Zero" map a melancholic journey within, culminating in wailing synth blasts into the void.
With its warm keyboard and clarinet cycles, looped aquatic choral refrains and mics dangling out the studio window, GC unfolds as an unlikely sub-tropical Harold Budd homage - with a lo-fi suburban edge and noise outro!"
LEIGHTON CRAIG - GREEN CORONET cs
Wednesday, 8 June 2016
Moon Moon
Recorded at Boxcopy Gallery Brisbane, 22 May 2016
Image from Sandra Selig's Ghost Pattern exhibition
Monday, 6 June 2016
Wednesday, 7 October 2015
Terminal Moraine
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| Portrait of the Young Man as Landscape Dronologist, Scotland '95 |
In September 1995, at Kindling House in Coorparoo, Brisbane, I recorded three of the four tracks on my debut release, the Terminal Moraine cassette.
The recordings were made on my Sony Walkman, using a Casio MT 40, shortwave radio and feedback via a toy keyboard with microphone. I didn't own an amp, so built-in speakers were the order of the day. I was in effect a practitioner of quiet noise.
The second track on the cassette was made the following year with a baby monitor and Yamaha CS01 synthesiser. Following his repeat yet polite petitioning, I recently returned the synth to its owner (Tom Beaumont), nearly 20 years post-loan.
I used to think of these pieces as 'landscape drones' - the sound of plates tectonic and glacial drift, albeit recorded in sub-tropical suburbia.
The second track on the cassette was made the following year with a baby monitor and Yamaha CS01 synthesiser. Following his repeat yet polite petitioning, I recently returned the synth to its owner (Tom Beaumont), nearly 20 years post-loan.
I used to think of these pieces as 'landscape drones' - the sound of plates tectonic and glacial drift, albeit recorded in sub-tropical suburbia.
The cassette was timidly 'released' to select friends in a micro-edition of 16, each with painted cover art. It was only a small 20 minute sample of the hours of recordings made during that period.
In a sentimental moment, I recently digitised the work from the master tape to make this 20th anniversary edition available for download. It's a noisy and wobbly old thing!
In a sentimental moment, I recently digitised the work from the master tape to make this 20th anniversary edition available for download. It's a noisy and wobbly old thing!
Tuesday, 30 December 2014
Friday, 14 November 2014
Bush Reich
In January 2006, before he was internationally renowned for his foot-pump controlled latex horn virtuosity and judaic origami moves, Joel Stern made a recording with me in Toohey Forest Park, a large bushland reserve in the heart of Brisbane. I was just back from a summer holiday in New Zealand, escaping the choking heat of another Queensland summer. What better way to spend a Sunday morning?
A sweltering day had been forecast, so we planned for Joel to arrive at my house in the suburbs not far from Toohey Forest at 7am. While he's now familiar with the daylight hours before midday, in those heady days of Joel's West End bohemianism, this was a remarkably optimistic proposition. Accordingly, as 7am approached, I was still shuffling around in my garage tinkering with the lawn mower, far from ready for the scheduled expedition, when low and behold Joel's much loved and now-deceased Saab pulled into the drive way. We were on!
With back packs crammed full of instruments, we hit Toohey Forest, well off the beaten trail of sunday morning walkers and cyclists, setting up camp on a large sandstone outcrop that overlooked a gully of eucaplypt and scrub. We scattered an arsenal of battery powered gizmos across the rock, including a thumb piano, ektara, tibetan bowls, keyboard, violin and pocket trumpet. I was also sporting a tiny solar panel, recently gifted by Stefan Neville in NZ, which was put to good use powering a fan striking an egg slice.
A morning of bush jams ensued as we communed with the cicadas and air lords (feathered and jet-powered) at an urban confluence of the natural and manufactured. Proceedings were captured for posterity onto two mini-discs, which were subsequently synced and edited at home by Joel. We finished proceedings with pancakes and coffee for breakfast at my place.
Long forgotten, the session is now available as a complimentary download from Joel's Cyprus Hillsong archive. I'm listening to this for the first time in eight years, sitting on the back deck on another scorching hot summer day, while the world's leaders assemble in Brisbane for the G20 summit, only 10kms from Toohey Forest. I am in another time and another place, worlds away. Come and join!
Thursday, 16 October 2014
Sunday, 31 August 2014
18 Conversations in the Room Upstairs
Conversations recorded upstairs in Milani Gallery on 9 November 2008
Conversation titles written by Nathan Shepherdson on 14 November 2010
Eugene Carcesio: clarinet, violin
Leighton Craig: violin, keyboard
Complimentary download here
Wednesday, 30 July 2014
Sunday, 20 July 2014
Sunday, 29 June 2014
Thursday, 24 April 2014
Thursday, 27 March 2014
To Shape A Single Leaf
Primitive Motion recently recorded the following new pieces for broadcast on the excellent Ears Have Ears program on FBI Radio, Sydney:
EHE 20.03.2014 - Primitive Motion (BRIS) - For Ears Have Ears by Ears Have Ears
Tracks: To Shape a Single Leaf, Atom Tune, Cellular Life, Twine Towards Them, Question D
Image: Sandra Selig, courtesy Sarah Cottier Gallery
Sunday, 9 March 2014
Strange Attractor
Recorded for 4ZZZ at the Waiting Room by Josh Watson, 14 Feb 2014
Check out other shows on Live Delay here
Check out other shows on Live Delay here
For a free copy of Leighton's set email kindlingrecords@yahoo.com.au
audience l to r: glen schenau, josh watson
photo: s selig
Thursday, 9 January 2014
Sunday, 5 January 2014
Saturday, 21 December 2013
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